Someone told me that they’d heard artist Lawrence Weiner at the exposition saying “I’m still looking for something that changes my world.” I could have told Weiner that not ten feet from his own pretty good Documenta contribution, in the rotunda of the Fridericianum, nine stone figures made in Afghanistan around 4,500 years ago were the most powerful forms in the entire show. They blew me away with their loving attentive masterful detail, scale, feel for material, line, shape, density, body-language, nobility, and individuality. These figures altered my internal world forever and are now permanently installed in my inner-museum, reverberating with all the other objects there. But I didn’t tell Weiner, because I’m sort of afraid of his intelligence, and of the way he always has a coat draped over his shoulders like it’s a cape.